🎾 Pull James Bond No Time To Die

During much of the pandemic, the repeatedly delayed release of the new James Bond film was held up as some kind of Covid-era holy grail each time it got booted to the next season, it seemed a renewed marker of when things might be “normal” again. The film’s eventual big-screen release two months ago was no cure-all; for anyone still wary of heading back to cinemas, the recent VOD release of No Time to Die is surely the more notable event. Does this big, brash, handsome entry in British cinema’s most long-in-the-tooth franchise lose a little something on a TV screen? Perhaps. Does it work grandly enough just the same? great appeal of the Bond films is that, give or take the odd plot pivot – and there’s certainly a large one here that I didn’t see coming – you more or less know what you’re getting each time, and that kind of comfort viewing will always be well suited to the couch. With its balletic succession of neatly choreographed action set pieces, all assembled with sleek brushed steel, Cary Joji Fukunaga’s film might be the most elegant of the Daniel Craig era, if not the most propulsive. It’s classy comfort alright, though I was most excited by an emergent perverse streak in its apparent business-as-usual approach it gives us a Bond less capable and less unflappable than usual, working towards a plot twist that actually exposes the superspy’s the highest compliment I can pay No Time to Die is that it made me realise what I actually value in James Bond – who is, on the face of it, a strange figure to have lasted this long in the public’s affections. He’s a sharp-suited blank slate, a stiff, a cypher in a strangely human kind of way. Someone who gets away with not being especially lovable or sympathetic because he’s stoically good at his job, Bond speaks to the antisocial arsehole in all of us. That he actually gets to fail more than usual in No Time to Die doesn’t reduce this appeal. In an age of blockbusters dominated by superheroes with few fallibilities and dull moral convictions, Bond is the kind of antiquated antihero we need more Caine’s shambling’ secret agent Harry Palmer in The Ipcress File 1965. Photograph Everett Collection Inc/AlamyWhat other characters are this elusive yet oddly endearing? Bond’s memory-challenged CIA counterpart Jason Bourne, certainly, though a lot of that comes down to Matt Damon’s bluff everyman charisma. In The Bourne Identity Netflix and its various sequels, he permits us to root for a character who, by narrative necessity, is a void even to himself. I’ve been wondering how long it’ll take British cinema to revive Len Deighton’s Harry Palmer character, a secret agent as scruffy and shambling as Bond is suave easier to relate to, though similarly hard to read. As played by a faintly sullen, sceptical Michael Caine in The Ipcress File BritBox, Funeral in Berlin Apple TV+ and the strangely unstreamable Billion Dollar Brain, he’s a rather good spy who doesn’t much want to be a spy at all that’s what we like about him. Palmer is the espionage equivalent of film noir’s great weary gumshoes like Humphrey Bogart’s brisk lone wolf Sam Spade in The Maltese Falcon Amazon, he takes no great pleasure in his work, but shrugs his way through it Jolie, relentlessly proficient’ in Salt 2010. Photograph Everett/Rex FeaturesWomen, meanwhile, are rarely permitted to be this valiantly blank on screen. Female-driven genre cinema is heavy on “strong”, straightforwardly virtuous leads or antiheroines laden with trauma and backstory. Perhaps the closest we ever got to a female Bond was Angelina Jolie’s relentlessly proficient, coolly imperilled CIA operative in Salt Netflix, a nifty, underrated potboiler that never inspired the franchise it deserved. Perhaps audiences found it too remote in Hollywood, aloof heroism is still a man’s new on streaming and DVDThe Trouble With Being Born Mubi Austrian director Sandra Wollner’s brilliant, startling sliver of arthouse sci-fi drew controversy last year over its premise involving a child-sized AI sex robot. But while it’s deeply unnerving, the film’s most sensationalistic details prove a springboard for a substantial inquiry into the limits, possibilities and mutability of android identity, assembled with a cool but human touch. Emphatically not for everyone, but not to be dismissed Trouble With Being Universal The idea behind Nia DaCosta’s reimagining of the landmark 1992 horror – putting Black perspectives at the centre of a story that always hinged on racial inequality and white gentrification – is strong, and executed with gleaming visual finesse. But her script, co-written with Jordan Peele, doesn’t trust its own best ideas, bulldozing subtext with repetition and Second Sight Often an intriguing presence in thankless secondary roles, Haley Bennett shows us what she’s really made of in this shivery domestic psychothriller. As a model housewife whose anxieties emerge in the form of the eating disorder pica a compulsion to swallow inedible objects, she’s quite remarkable fragile but gutsy, resisting the material’s potentially exploitative Warner Bros In Lisa Joy’s glossily absurd romantic fantasy-sci-fi-noir Frankenfilm, Hugh Jackman is a shabby mind detective, burrowing into people’s brains to retrieve lost memories, and stumbling into obsession when an alluring client disappears. Conceptually a sort of Eternal Vertigo of the Spotless Inception, it’s dopier than all those components, though not unenjoyable.

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Theopening action sequence in the James Bond film "No Time To Die" was shot on location in Matera, Italy. 10 versions of the Aston Martin DB5 were used for the chase's demanding stunts and special effects. To provide extra traction, the stunt team dumped 8,400 gallons of soda on Matera's ancient streets. Visit Insider's homepage for more stories.

Van Spectre Etc, ontdekt door Player FM en onze gemeenschap - copyright toebehorend aan de uitgever, niet aan Player FM. Audio wordt direct van hun servers gestreamd. Klik de abonneren-knop aan om updates op Player FM te volgen of plak de feed URL op andere podcast apps. People love us! User reviews "Ik hou van de offline-functie" "Dit is " de "manier om je podcast abonnementen af te handelen, het is ook een geweldige manier om nieuwe podcasts te ontdekken." ➕ Abonneren ➕ Ondertiteling ✔ Abonneren ✔ Geabonneerd Delen Manage episode 159751165 series 1132929 Van Spectre Etc, ontdekt door Player FM en onze gemeenschap - copyright toebehorend aan de uitgever, niet aan Player FM. Audio wordt direct van hun servers gestreamd. Klik de abonneren-knop aan om updates op Player FM te volgen of plak de feed URL op andere podcast apps. Welcome to SPECTRE etc. This is the James Bond podcast where we discuss the ins and the outs of each film. In this episode, the writers have gone on strike and left us to join the dots of this chase-heavy movie. Join us as we try to flounder our way through “Quantum of Solace”. * The pre-titles sequence has Bond avoiding pineapple trucks as he chauffeurs Mr White to Siena. Another rocking title track takes us into a terrific terracotta rooftop race before Bond squeezes off a shot while swinging from some scaffolding. * Bond heads to Haiti to smash up a hotel room and kill yet another source of information. Camille picks him up on her way to meet Dominic. Bond steals a boat and kidnaps Camille before asking M to dig deep into Dominic. She asks the CIA for information, but the Americans are in cahoots with Quantum! * Mr White is co-ordinating Quantum during an Austrian opera, but Bond is taking the minutes of this meeting. James adjourns the meeting and kills yet another source of information. M has had enough, and cancels Bond’s cards to keep him in Austria. * James motorboats across the Mediterranean to visit the villa Mathis earned. Rene is dressed for action, and jumps at the chance to join James in Bolivia. On the Virgin plane, 007 downs six vespers. Agent Fields has been sent to Bolivia to help James find the hotel stationery before Dominic’s party. * Camille is asking to be thrown off a balcony, but Bond arrives just in time. Leaving Fields alone at the party, James drives off with Camille. Police pull them over and frame James for the murder of Mathis. Bond leaves his dear friend in a dumpster, but not before stealing his money. * James and Camille somehow swap a car for a plane so they can fly over Dominic’s desert. A couple of jets join them for a dogfight, forcing a skydive into a sinkhole - where Dominic’s dammed water pushes the plot forward. After walking all the way back to town, Bond finds oil-fields in his hotel room. * Bond invites Felix for a drink, but the beers turn into shots. Dominic has headed to his desert hotel, so James and Camille have a quick chat about vengeance-killing. They burn down the hotel and avenge Camille’s family. * Bond leaves Dominic stranded in the desert with just a bottle of oil, then leaves Camille stranded at some train station with just a kiss. James finally avenges Vesper, and then tells M how he really feels. And of course, keep checking back for a link to our petition to have Mathis’s body repatriated to his villa! 28 afleveringen × Welkom op Player FM! Player FM scant het web op podcasts van hoge kwaliteit waarvan u nu kunt genieten. Het is de beste podcast-app en werkt op Android, iPhone en internet. Aanmelden om abonnementen op verschillende apparaten te synchroniseren. Player FM - Podcast-appGa offline met de app Player FM !

Bondspeaks to the antisocial arsehole in all of us. Perhaps the highest compliment I can pay No Time to Die is that it made me realise what I

In the opening sequence of the trailer for No Time To Die – the new Cary Joji Fukunaga-directed Bond film that is to be released in April of next year – Daniel Craig is shown wearing a beautifully cut, fudge-hued, single-breasted suit with a slate blue button-down shirt and a knitted midnight blue got to be honest, I enjoy a good Bond romp as much as the next man, but it’s not really my genre. Sure, this new instalment looks fun and action-packed, and Léa Seydoux remains a thoroughly modern Bond girl, but I’m more of a teary period drama and true crime doc kind of Century FoxThat being said, even I have noticed over the years that the Bond wardrobe department really pulls its weight. It’s not an overstatement to say that every time a new 007 film is released the subtle shifts in Craig’s wardrobe inspire a whole generation of men to dress a little bit Spectre he taught us how to wear black tailoring; in Skyfall he bossed the hunting jacket and scarf look; while in Casino Royale, well, in one stride of the leg and flex of the pec he legitimised baby blue budgie smugglers forever, which is no small Century FoxThe flash of suit that is revealed in this new trailer proves that Craig is about to set the bar all over first point worth noting is the subtle tonal and textural interplay between his shirt, jacket and tie. All the colours are complementary without being matchy matchy and the textures of the fabrics bring out the best in each other the subtle ruching of the tie against the crispness of the shirt, the brushed effect of the jacket against the smoothness of Craig’s 51-year-old 51 there’s the cut of that suit. The trousers are fitted close to the leg without being tight, while the jacket has enough structure in the shoulder to create breadth without looking grand-standy. It’s a feat of subtle tailoring short, this is the exact outfit you should wear to all those summer weddings you have coming up next year. Smart without being formal, elegant without looking try-hard – and totally warm weather appropriate – just be sure not to say anything like, “Shaken, not stirred” or “I’ve got no time to die, but plenty of time for a drink!” at any point, because you’ll ruin how to get the look yourselfThe suitSuit jacket by Brunello Cucinelli, £2,680. At The shirtThe tieThe bootsBoots by Ermenegildo Zegna, £670. At Now readNo Time To Die trailer we break down the best bits5 style lessons you can learn from Daniel CraigOur first look at James Bond’s No Time To Die and more details you need to know Thelatest installment of the Bond franchise, No Time to Die, has suffered through a number of delays due to COVID-19, but after months of pushing back the release date, it looks like 007 will finally return to the big screen on April 2, 2021. The 25th installment of the film series will be Daniel Craig’s last appearance as the suave secret

MGM The "Bond" movies easily rank among the most nostalgic franchises currently being made, which is fitting for a character and a legacy that's so steeped in tradition. Fans have come to expect references and callbacks to the James Bond films they grew up watching, and repeatedly returned to. Out of Daniel Craig's 15-year tenure as the superspy, 2012's "Skyfall" was most emblematic of this mindset as its release coincided with the 50th anniversary of the franchise. With the imminent release of "No Time to Die" representing Craig's final appearance as James Bond, it's been easy to assume that the movie would pay homage to everything that's led up to this moment. According to the "Bond" producers, fans will want to keep an eye and an ear out for some telltale Easter eggs from throughout Bond history. "A Celebration of Everything That's Come Before" MGM /Film's Jack Giroux had the opportunity to speak with "Bond" producers Barbara Broccoli and Michael G. Wilson in an extensive interview after the premiere of "No Time to Die." Both producers were asked if there was an increased emphasis on taking cues from the past throughout "No Time to Die." From their response, it certainly sounds like fans will want to brush up on their "Bond" history and stay on the lookout for several references — from the Sean Connery era to George Lazenby to Roger Moore to Daniel Craig to ... well, everything in between. Wilson said "Oh, that's a lot of things that harken back to the past. 'On Her Majesty's Secret Service,' [the theme song] 'We Have All the Time in the World.' Some of the music themes from 'Casino Royale' come back. So there are those triggers too. And also, there are all through it, some elements from Bond history. We're never far from that, the Aston Martin, and we had more gadgets this time than usual in the Daniel films. So we have been harking back to a lot of the old ones." The specific mention of "On Her Majesty's Secret Service" is particularly fascinating. The one-time divisive entry into "Bond" canon far removed from the uproar surrounding Sean Connery's absence, it stands as one of the best in the franchise features a storyline and especially an ending that feels shockingly conclusive. It stands to reason that director Cary Joji Fukunaga would pull from certain aspects of that film, even if it's only in the form of musical cues. Broccoli went on to add "I think also we wanted to honor all the people that really started this franchise, whether it was starting with Cubby [Broccoli] and Terence Young and Ken Adam and John Barry. I think that there are little touches of all of them within this film. It really is a celebration of everything that's come before." If "No Time to Die" didn't already feel like an emotional farewell to a legendary addition to the franchise, these quotes leave no doubt about it. Daniel Craig's swan song comes to theaters on October 8, 2021.

Throughfour films now, we’ve watched Daniel Craig make his mark as James Bond, the iconic MI6 super spy. And now, it’s time to say goodbye, with Press Release Bonn, September 3, 2021 Campaign shows the efficiency and reliability of DHL Heart of the campaign is an international TV commercial Focus on stronger emotionalization of the DHL brand DHL are the Official Logistics Partner of No Time To Die Ahead of the launch of the new James Bond film, No Time to Die, leading logistics company DHL has launched today a new campaign celebrating the longstanding partnership and showcasing the essence of excellent delivery services. At the heart of the campaign is a TV commercial that pays homage to the iconic film franchise, marking the fifth time DHL has provided the transport and logistics solutions to James Bond. “We are incredibly proud of the support DHL has provided the last five James Bond films. To pull off a feat of this magnitude requires the collective effort and orchestration of our international DHL network and its respective teams. The campaign is quintessentially Bond, with high energy and tongue in cheek humor, all while remaining firmly in the DHL world. The message is that DHL is the logistics partner you can rely on even if the mission is unusual or complex“, says Monika Schaller, Executive Vice President of Corporate Communications, Sustainability & Brand. To create a TV commercial that contained the same levels of intrigue and excitement as a Bond car chase, the team chosen to create, orchestrate and deliver it were essential. The commercial features the iconic Aston Martin DB5 which was driven by Bond stunt driver, Ben Collins, who worked alongside No Time To Die’s assistant stunt coordinator Pete White. Shot by award-winning director Adam Berg at Smuggler, the ad also boasts No Time To Die s Linus Sandgren as Director of Photography. The creative concept was developed by DHL’s lead agency 180 Amsterdam. With the campaign, DHL relies on storytelling which strives for a stronger emotionalization of the brand. Set in Shanghai, the ad follows a DHL courier as he sets out to deliver a vital package to James Bond. As he arrives at the assigned location to meet Bond, the handover is interrupted, and a high-speed car chase ensues. As 007 is pursued through the streets, the courier avoids the chaos to deliver the package to an updated delivery address, safely and efficiently. In addition to the TV spot, the campaign will be aired internationally across all digital channels, both in the form of digital banners and video as well as print ads. No Time To Die is directed by Cary Joji Fukunaga and stars Daniel Craig, who returns for his fifth and final film as Ian Fleming’s James Bond. The film will be released in cinemas from September 30 2021 in the UK through Universal Pictures International and in the US on October 8 2021, from Metro Goldwyn Mayer MGM via their United Artists Releasing banner. ^{BillieEilish performed the song for the latest movie, "No Time to Die." Here are all the Bond songs ranked from worst to best. 25. "Spectre" - Sam Smith ("Writing's On The Wall") "Spectre." Columbia Pictures. Like the movie itself, Sam Smith's song is too slow-paced for the new age Bond fans who want their movies fast and thrilling.} Groan-worthily lewd double entendres are as much a trademark of the James Bond franchise as martinis, tuxedos and tricked-out sports cars, but they haven’t exactly flourished in the Daniel Craig era the first blond 007 has largely given the agent a sterner, more businesslike mien relative to the japery of Roger Moore and Pierce Brosnan. Advance word is that the next Bond adventure, No Time to Die, will see lascivious innuendo making a comeback, with the presence of Phoebe Waller-Bridge as screenwriter and the Fleabag creator knows her way around a good sex reference. One allegedly leaked line sounds like standard old-school Bond “Get it up, get it up!” implores a passenger in a seaplane that Bond is struggling to fly, to which the spy drily responds “I’ve never had a problem with that before.” Can it compete with the 10 most shameless, unforgivable Bond double entendres?10. “That’s because you know what I can do with my little finger” Casino RoyaleA rare and early attempt from Craig, delivered in response to Vesper Lynd’s compliment that if all that was left of Bond was his smile and his little finger, his manliness would be intact. You can see why he veered away from this sort of “I’m sure we’ll be able to lick you into shape” Live and Let DieRoger Moore’s first outing as Bond announced him as a dab hand in the rich tradition of the Bond pun, delivered to a self-doubting female CIA “I have been known to keep my tip up” Die Another DayHow did it take James Bond until 2002 to make a fencing-sword joke? Pierce Brosnan, the natural heir to Roger Moore, deserves extra credit for delivering it to an utterly po-faced Moore and Barbera Bach in The Spy Who Loved Me 1977. Photograph “Just keeping the British end up, Sir” The Spy Who Loved MeAdmittedly, Brosnan’s Die Another Day quip was a blatant rehash of this Moore classic from the punniest of all Bond entries – the first of three from the “It’s just the right size … for me, that is” From Russia With LoveTo be honest, this barely qualifies as a double entendre Tatiana Romanova complains about the size of her mouth, before our man gallantly comforts “Well, tell him to pull out, immediately” The Spy Who Loved MeA directive given by M, upon learning that the agent is, er, on duty in Austria. Cut, of course, to Bond in bed with his latest “When one is in Egypt, one should delve deeply into its treasures” The Spy Who Loved MeRoger Moore’s 1977 outing really was an innuendo banquet; this simple but effective line is basically the only reason for Bond to do all that “I’m up here at Oxford brushing up on a little Danish” Tomorrow Never DiesThe double innuendo is terribly strained but Brosnan delivers it with enough throwaway panache to make up for the same film’s unforgivable rehash of the old “cunning linguist” “I think he’s attempting re-entry” MoonrakerDelivered by a technician as Bond and the CIA astronaut Holly Goodhead of course are discovered on video after assorted spaceship complications, doing the deed in zero “I thought Christmas only comes once a year” The World is Not EnoughTo name a nuclear physicist Christmas Jones for no reason other than this ludicrous final line represents a ne plus ultra in franchise shamelessness. PlgT. 106 186 72 34 251 349 202 18 98

pull james bond no time to die